The Man who Never was

Lovesickness by Junji Ito My rating: 4 of 5 stars Viewer discretion advised: Warning for graphic violence, acts, and body horror. The master of Japanese Horror, nay, graphic horror worldwide. As usual he has the unique ability to take day to day, mundane aspects of life, and turn them into graphic, disturbing, macabre displays of terror. The premise of these series of interconnected short stories involves our protagonist, who has returned to his childhood home, a childhood which I might add, has some seriously disturbing repressed memories attached to it. Right after his arrival, mysterious incidents begin taking place, ending in a serious of disturbing suicides and deaths. As the body count rises, and bit by bit the townspeople turn to rabid, maniacal, insanity, it's upon him to solve this phenomenon and stop the violence. It seems as if, in every other of his stories, things go bad, and everyone goes mad. But despite a predictable pattern, we s

The Gospel According to Artyom by Dmitry Glukhovsky My rating: 5 of 5 stars Note: This really should've been a review that comes after writing about the main story. But there is much for me to ponder over in regard to Metro 2033 , which requires a detailed discourse. So, here goes. // Spoilers for the main story // This short excerpt, more of an epilogue, is a companion piece to the main story of Metro 2033, added during a later edition, to provide more context as to the mental state of our protagonist Artyom. Following the destruction of the Botanical Gardens, and the Dark Ones' nest that was located in it, the whole metro rose in celebration, at the elimination of a dangerous threat to their existence. Artyom, who played an instrumental role in bringing about this victory, was hailed as a hero. Little do they know that their hero is a broken man, plagued with remorse and guilt. For only he knew, in the literal last minutes before their dem

20th Century Boys, Volume 1: Friends by Naoki Urasawa My rating: 4 of 5 stars It's difficult not to draw the parallels between Naoki Urasawa's '20th Century Boys' and It by the master, Stephen King. After all, both have a group of kids, turn to adults, battling a greater evil through various time periods in their life. Yet that is where the comparisons end. Where Mr. King's work is one of pure horror, involving the malevolent soul consuming entity of Pennywise, Urasawa's work is more an intricate quagmire of suspense, conspiracy and revelations, through the lens of the major cultural events in several time periods. Generally, I have an aversion to suspense, mystery thrillers, because they focus too much of the twists and revelations, and eventually write themselves into a corner, necessitating the writers to pull something out of their ass to keep the story going. Also, in many of such stories, the characters are merely. the

കൂട്ടം തെറ്റി മേയുന്നവർ | Koottam Thetti Meyyunnavar by M. Mukundan My rating: 4 of 5 stars I've read several works from M. Mukundan's Biblography, and perhaps this is the first one, which I read that was not read in the author's beloved Mayyazhi (Mahe). Kootam thetti Meyyunnavar (Those who graze away from the flock), is written more in the vein of something that his contemporaries such as M T VASUDEVAN NAIR or Thakazhi Sivasankara Pillai would've penned. Yet still, there is the spiritual signature of our writer evident. Whether it be in the cruel indifferent passage of time, or the hapless protagonist who is a victim of their own choices and ideals. One of the defining conflicts in the life of our protagonist, Prakashan, is poverty, something which she shares with protagonists written by most writers at the time. Whether this is a reflection of the dire, pitiable state of the Indian society at the time, or a common string which ins